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#Danzel you spin me round extended series#
In this particular case, I think Disney is very wise and very smart to deliver this particular series in terms of their support. And also, equally so, there’s a lot of responsibility for those who make it to live up to the dream of what it could be. It’s a really great thing to be a part of something that’s the startup, because there’s a lot of anticipation surrounding it, and there’s a lot of attention put into it. Tell me, that’s got to feel just a little cool. You’re involved with one of the actual first pieces of content within Disney’s new streaming service, Disney+. Would I ever have the opportunity to do that? So I was fascinated by it, and it’s truly been an honor and such an incredible journey to come all these years later and be involved with The Mandalorian.
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And I think of this movie kind of in the same way, how it allowed me to start thinking about how to explore the vast beyond, and wonder if I could ever do that. I think of how Sid Arthur affected my life. You know, all those beautiful things that are encompassed to so much of our colleges. Luke Skywalker, he had such the boyish nature and stance, yet he fought like a man, and yet he had an evolution spiritually. You know? A whole different world out there. We could be space-bound, and look, now we are. I remember it took me out of my place, took me out of my consciousness and took me out of realizing that we’re not earthbound. And of course, I was in love with Princess Leia as every man had to be, and I really desired the strength of so many of the characters in the film. I was in my first year of college, and I remember really loving this movie because it was just so different from anything I’d ever seen. I was in Yonkers and at Seton College doing a two-year Associate’s degree in Radio and Television Communication. Wow, so that would be the late seventies, right? Yeah…so I was in Detroit, Michigan doing a Broadway show called Maggie Flynn at the Fisher Theatre.
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Where were you when the first Star Wars came out, anyway? Mainly though, I think this story is only good because it was produced through the mouth of Esposito, as with the rest of all his singular roles, including his latest within Disney’s The Mandalorian. There are whiffs of cotton candy, popcorn, and hot dog goodness in it, too, which are all nice to think of without their accompanying monopolistic prices. Perhaps it’s due to the fact that large crowds are absent from the brilliant narration, in addition to limited parking spaces and the ring of sweat left on the seat by the rider before you. His adoration of rollercoasters near palpable -even through the phone- I ask anyway if he’s a big fan of them, sparking a nostalgic, five-minute illustration of a theme park in that sounds like Disney World, albeit a million times better.